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Devin International president Greg H Sims has launched a new company called Iron Ent <a href=https://www.cup-stanley.uk>stanley uk</a> ertainment with US theatrical and home video distribution capacity as well as financing, production and sales. Sims is joined in the outfit by Herbert N Dorfman, the former president of Orion Home Video, who has been named p <a href=https://www.stanleywebsite.us>stanley website</a> resident of Iron Home Entertainment.A key investor in the new operation is Adam Levy, Iron s New York-based partner who is chairman of Warlock Records and its affiliated labels.Warlock is releasing the soundtrack to Iron s movie Shoot Or Be Shot, a dark action comedy starring William Shatner and Harry Hamlin, which Iron will release theatrically in the US on Jan 18 next year. Iron will also sell international rights under its president, international, Vincent Petrillo, formerly of Devin.The company s first theatrical release this December will be Vadim Jean s latest film One More Kiss to which Iron has acquired domestic rights. It was released in the UK by Metrodome Distribution.Iron has also acquired worldwide rights to South Side and The Photographer. Iron plans to release both films theatrically.Also joining the company is Sean B Hill as manager of acquisitions and development. No comments <a href=https://www.cup-stanley.de>stanley cup</a> No comments yet You re not signed in. Only registered users or subscribers can comment on this article. Sign in Register Xmmj The Light to launch digital cinemas in Romania
Dir. Louise Osmond. UK, 2016, 93 mins.I, Dan <a href=https://www.stanleycups.us>stanley us</a> iel Blake may have won the Palme DOr last month, but Versus: The Life And Films Of Ken Loach should be the immediate beneficiary. Without that second Palme, a film about the half-century career of its director Ken Loach, shot around the filming of I, Daniel Blake, might easily have been perceived as a classy DVD extra. Now, it seems like a timely, if not golden, opportunity to examine Loach afresh, and Louise Osmonds 93-minute film doesnt disappoint.Loachs urgent, issue-led agenda stands almost in contrast to the man himself.Versus is as watchable for those who have nev <a href=https://www.stanley-cups.es>stanley cup</a> er seen a Ken Loach film as it is informative for those who think they know him. Appropriately, given the directors left-leaning politics, part of its theatrical release in the UK through the innovative Dogwoof is a pay what you can afternoon on Sunday June 5. Although Versus will have an obvious home on TV including part-backer the BBC - which once dropped him for being too political - it has the scope for the big screen too, and should become an international festival favourite.To their credit, Osmond and Loachs long-time producer Rebecca OBrien arent on a mission here to present Ken Loach as a twinkly-eyed National Treasure. Instead, hes carefully placed in context 鈥?of his life, the times, some of his films, his dogged personality. The Wednesday plays he directed for the BBC 鈥?such as 1965s Up The Junction 鈥?were watched by audiences of between 18-20 million, <a href=https://www.cup-stanley.fr>stanley cup</a> un