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Restaurants face a dilemma when it comes to mobile ordering: There are plenty of apps to serve takeout or delivery orders, but what about orders placed for dining in-house 聽Eat Again, among others, seeks to provide restaurants with an alternative platform for ordering and payments geared toward guests who wish to enjoy the dining room.While delivery services have become popular because customers crave convenience and might not want to dine-in, some customers do want to visit a restaurant. Office workers, for example, might want to leave the workplace to catch up and chat at a nearby restaurant. Even if they dont choose takeout or delivery, these customers may desire fast and efficient experiences. People want to have the convenience of quickly ordering, 聽Eat Again Founder Thameem Abdulhameed told PYMNTS in an interview, adding that sometimes customers do, in <a href=https://www.stanley-cup.us>stanley usa</a> fact, want to dine in.Eat Again allows consumers to order from the menu, pick a particular time when they would like to dine in and pay before they even step foot in a restaurant. The restaurant will receive a notification and can accept the order. The food is then ready for the customer when he or she arrives and is brought to the diners table. After the meal, he or she can simply walk out of the restaurant and avoid the hassle of waiting for the check.As an alter <a href=https://www.stanleycups.cz>stanley quencher</a> native for those who want to order in the restaurant, Eat Again offers a post-paid option, which allows diners to peruse the menu and talk to a waiter <a href=https://www.stanleycups.cz>stanley hrnek</a> . To start

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As so often in the Austrianfilm scene, the idea for the medieval adventure story Henker provisionally known in English as The Headsman was born in a Viennacoffee house when screenwriter Susanne Freund pitched the story idea toproducer Helmut Grasser of Allegro Film 4-5 years ago.Once a treatment had beenprepared, they started looking for a director and soon decided on Swiss-bornSimon Aeby who had come to Gras <a href=https://www.stanley-cups.it>stanley italy</a> ser s attention after he saw his Max OphuelsPrize-winning English language picture Three Below Zero, starring WesBentley. I liked the way he directs actors and his cinematographic stylewhich gives a depth that one seldom sees in cinema these days , saysGrasserAs Grasser admits, raisingthe film s Euros 5m budget for what became a six-country co-production was a real challenge and an absolute struggle <a href=https://www.cups-stanley.ca>stanley cup</a> . It only functionedin the end because I had good partners in each country . He had previouslyworked with Germany s Peter Rommel on such features as Drei Herren and SieHaben Knut and had looked at various projects with Switzerland s MarcelHoehn of TC Film in the past, which had however never materialised.Similarly, FME UK was brought onboard by Rommel who regularly works withFME s Mike Downey.To round it off, theHungarians <Peter>Miskolczi s Eurofilm] joined the production <a href=https://www.cup-stanley.uk>stanley cup</a> when it wasdecided to base the interior studio work and outside sets in Hungary because ofthe ideal facilities at Mafilm studios and the existence of the new tax sheltermodel which can prov Nsyz Life of Pi, Brave top Visual Effects Society Awards
Cel <a href=https://www.stanleycup.pl>stanley cup</a> ebrating Jamaican independence with Rockers.The Berlin Film <a href=https://www.stanleycup.it>stanley italy</a> Society is planning its first international event, to be held in London.The Society will celebrate 50 years of Jamaican independence with a screening of 1978 classic Rockers. Ted Bafaloukos film is about Rastafarian culture in Kingston, Jamaica, and how Leroy Horsemouth Wallace tries to make it as a record distributor and musician.The London screening is planned for Aug 6 at Cafe 1001 on Brick Lane, followed by a performance by reggae band The Drop. The Berlin screening follows on Aug 10. The Society was set up during the 2012 Berlinale to host monthly screenings and pop-up film events. No comments No comments yet <a href=https://www.stanleymug.us>stanley mug</a> You re not signed in. Only registered users or subscribers can comment on this article. Sign in Register

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Following the global success of March Of ThePenguins, French sales house Wild Bunch is re-teaming with France s Disney Naturefor The First Cry, a documentary from director Gilles De Maistre.The First Cry focuses on 12 women in different countries all overthe world who are about to give birth. De Maistre andhis crews will trace the last 24 hours leading up to the moment each of thechildren takes their first breath outside the womb. Locations include Ghana, Siberia, Lapland, Nepal and France. The fictionalised documenta <a href=https://www.stanleycups.it>stanley cup</a> ry is currently inproduction and will shoot through the next year on a budget of roughly $7.6m Euro <a href=https://www.stanley-cups.de>stanley cup</a> s6m . Wild Bunch will have a promo reel at November s American Film Market whilethe film will be ready in time for Cannes 2007.Buena Vista International France will release The First Cry in France with Lucky Red onboard for Italy. Pre-sales beginnext week at the Cannes Market.This is the third film on which the two companies are collaborating -Luc Jacquet s follow up to Penguins, TheFox And The Child, will be ready in late 2007. No comments No comments yet You re not signed in. Only registered users or subscribers can comment on this article. <a href=https://www.stanleywebsite.us>stanley website</a> Sign in Register Tlag StudioCanal picks up three new projects, including new Klapisch film
The filmmaker has got his weight behind the inaugural 2014 New Hollywood NUHO Online Film Festival.Lee will help launch the event on February 7 with a keynote address.NUHOs founders Keith Mitchell and Chris Kanik say the event will deliver the full festival experience via its web-based platform.The festival is set up to allow audiences t <a href=https://www.stanleymug.us>stanley mug</a> o view films while granting filmmakers access to agents, distributors and other industry professionals.NUHO films only screen during the festival so as not to cannibalise potential revenues steams for distributors. The festival runs until February 28.TopicsOther FestivalsUnited States No comments Related articles News MBS Group closes deal to manage Saudi Arabias AlUla Studios 2025-05-07T08:52:00Z By Michael Rosser US-based The MBS Group is known as the home of James Camerons Avatar franchise. <a href=https://www.stanleycup.pl>stanley cup</a> Features The implications could be seismic : What happens next follo <a href=https://www.stanley-cups.es>stanley cup</a> wing Trumps tariff proposals

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Interview with Cannes artistic director Thierry Fremaux -abstracted from today s Cannes festival press statement.- As a first impression, could we say that the greatfilmmakers are back in strength In Competition, yes, since there will be many experienced filmmakers at Cannes.If, last year, we seemed to concentrate more on new discoveries, thereturn to the Competition of some of the greatest filmmaker delights us to justthe same extent. The great filmmakers never left the Croisette: WimWenders, David Cronenberg, Luc and Jean-Pierre Dardenne, Michael Haneke, AtomEgoyan, Lars von Trier, Amos Gitai, Hou Hsiao <a href=https://www.cup-stanley.uk>stanley cup</a> Hsien or Jim Jarmusch have allbeen here in Competition before, and they will be here again with films thatconfirm their importance in contemporary creation. However, although Lars vonTrier was here in 2003, Wim Wenders has not featured in Competition since 1998.Each case is unique and there are no rights of entry because of thesingular journeys they each tread: several of them have made other films sincetheir last appearance at Cannes. If they have been chosen it means that theirfilms won us over by their own merits and for what they have to say aboutcinematographic creation today.- But doesn t this return in strength mean that cinema is not evolving No, that is not a per <a href=https://www.stanleycups.at>stanley cup</a> tinent argument. We are talking about art, about cinema,not sport. Great filmmakers make great works; which is always go <a href=https://www.stanleycups.com.mx>stanley cup</a> od to hear.However, as this trend began to emerge, my eye was drawn further-a-fie Vafr Marc Evans to direct Birthright
There has always been a realm of movies where there is a tacit understanding that its inhabitants will not cross borders. Last weekend, local productions topped box-office charts in Italy, South Korea, France, China, Thailand, Denmark and Poland. The likelihood of any of these crossing oceans and finding welcoming cineastes is probably remote.Three of the films are straight-out sequels, two trade on prior successes and one is an adaptation of a classic novel that has already been made as a mini-series.China s Getting Home is a wistful road movie about a man who agrees to take the body of a friend back to his village for burial. The film has the flavour of Waking Ned and its enthusiastic embrace at <a href=https://www.stanleyusa.us>stanley usa</a> home is almost at a level associated with historical adventures such as last month s Curse Of The Golden Flower.Culturally specific filmsHistorical pageants, as opposed to dramas or comedies set in a bygone era, rarely have an emotional punch for those unschooled in a particular culture and that may be the case for Thailand s The Le <a href=https://www.stanleycups.cz>stanley cup</a> gend Of King Naresuan I: Pegu s Hostage, from the same team that made the sumptuous Suriyothai. The earlie <a href=https://www.stanleycup.fr>stanley cup</a> r film was acquired by Francis Coppola and received limited international exposure. The new film centres on a 16th century ruler who fought for the nation s independence.In France, Jacquou Le Croquant is a cross between Jean De Florette and Les Miserables - the saga of a young man who seeks retribution after his family is killed in Napoleonic France.

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AP Tennis WriterLONDON AP 鈥?Lore <a href=https://www.cup-stanley.pl>stanley kubek</a> nzo Musetti threw his head back and spread his arms wide to celebrate reaching his first Grand Slam semifinal at Wimbledon, then covered his face with both hands. His 3-6, 7-6 5 , 6-2, 3-6, 6-1 victory over Taylor Fritz on Wednesday was a big deal, to be sure. After <a href=https://www.cups-stanley-cups.co.uk>stanley cup</a> all, the 25th-seeded Musetti, a 22-year-old from Italy, never had made it past the third round at the All England Club 鈥?or past the fourth round at any major tournament 鈥?until this fortnight.Now, though, comes a far tougher test: taking on Novak Djokovic. He probably knows, better than me, the surface and the stadium, for sure, Musetti said with a chuckle, aware hell be mak <a href=https://www.stanleyusa.us>stanley website</a> ing his Centre Court debut on Friday. Jokes apart, hes a legend everywhere, but especially here in Wimbledon. This will be Djokovic record-tying 13th semifinal at Wimbledon alone 鈥?equaling Roger Federer 鈥?and 49th Slam semifinal overall, extending a mark he already held. As Musetti pursues his first major championship, Djokovic seeks a 25th, including what would be an eighth at the All England Club. Djokovic smooth trip through this years bracket was made even easier when the man he was supposed to play in the quarterfinals Wednesday, Alex de Minaur, pulled out with a hip injury hours before their match was scheduled to begin.Musetti was forced to work for his spot in the final four: His 3 1/2-hour victory over the 13th-seeded Fritz was the 37th five-setter at the All England Pstd Local restaurants and food trucks team up to donate meals to those in need
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