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Danish cinemagoers came out in support of local cinema in 2007, with the local market holding steady as it ha <a href=https://www.cup-stanley.us>stanley usa</a> s roughly the past decade. About 3.2m tickets were bought for Danish films, representing 27% of the total admissions tally of 12.1m. For the year, overall ticket sales were down 3.5%, which is relative <a href=https://www.stanley-cups-uk.uk>stanley cup</a> ly healthy compared to other European territories. The Danish Film Institute noted that a rainy summer led to unusually good ticket sales.The domestic market is still going strong but according to chief secretary of the Producers Organization, Klaus Hansen, the numbers don t reveal that some producers are suffering. Danish film is certainly not in a crisis, but the average admissions of 124,000 is down from 10 years ago when averages were about 160,000-170,000.Also, with more films being made, the Danish Film Institute s backing is spread to more recipients, now typically 30-40% of a film s budget, down from 70% 10 to 15 years ago. Private capital, howev <a href=https://www.cup-stanley.co.uk>stanley cup</a> er, is increasing. A few years ago it wasn t unusual to sell more than half a million tickets for a big Danish success. Those times are over and it is getting more and more difficult for the producer to earn a profit in the cinemas alone, Hansen told ScreenDaily. That s why we need to reverse the situation and get more of a balance between public and private funding. There are a number of high-profile Danish films coming in 2008, including Niels Arden Oplev s Worlds Apart. His last film, We Shall Overcome, boasted 400, Stje UK indie TV revenues bounce back
While the Tokyo International Film Festival struggles to regain ground lost to Asian competition, like the <a href=https://www.stanleycup.pl>stanley kubek</a> recent Pusan Film Festival, a new event has arisen right under its nose. Tokyo FILMeX celebrates its third edition this year with a line-up that definitely, almost defiantly, emphasises culture over commerce. Instead of TIFF s selection of Hollywood blockbusters and local mains <a href=https://www.stanleycup.fr>stanley cup</a> tream fare, FILMeX, which runs from December 1 to 8, features films by some of the best and brightest young directorial talent now working in Asia, as well as by such leaders of the Japanese New Wave as Shinya Tsukamoto and Kiyoshi Kurosawa. FILMeX programmers Kanako Hayashi and Shozo Ichiyama are not, like TIFF s, executives, seconded from major distributors, but are veterans of the international festival circuit who have developed close contacts with leading Asian directors and producers. Their selection - nine films in competition and 12 in special screenings - features several world premieres, including Kurosawa s Bright Future and two films produced by After Life director Hirokazu Kore eda, as well as new films by Tsukamoto A Snake Of June , Amos Gitai Kedma and Ann Hui Visible Secret . The festival opened with Alexander Sokorov s Russian Ark and will close with Otar Osselliani s <a href=https://www.stanleycup.it>stanley italy</a> Berlin Silver Bear winner Monday Morning.While established auteurs dominate the Special Screenings, the focus of the competition section is on promising younger directors from Japan, South Korea, China, Taiwan, Th