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RodrigoGarcia s Nine Lives has becomethe first US film to win Locarno s top award, the Golden Leopard for Best Film,for 14 years.The last US film to win thetop honour was Tom DiCillo s feature debut Johnny Suede at the festival in 1991.Nine Lives, which was the only US title selected for thisyear s International Competition, also picked up the Bes <a href=https://www.cup-stanley.es>stanley cup</a> t <a href=https://www.cup-stanley.uk>stanley cup</a> Actress Leopard forthe film s ensemble of nine actresses including Glenn Close, Holly Hunter,Sissy Spacek, Kathy Baker and Robin Wright Penn, as well as the Junior Jury s1st Prize and a Special Mention from th <a href=https://www.stanley-cup.com.de>stanley cup</a> e jury of the International Federationof Film Societies FICC . The best actorprize went to Patrick Drolet in Canadian Bernard Emond s film LeNeuvaine, which proved a verypopular choice with the crowd gathered on the Piazza Grande with cries of Bravo ringing out across the square.The local Swiss film SnowWhite by Samir had been tipped towin a prize but in the end left the festival empty-handed, as did another filmpopular with audiences and critics - Canadian Louise Archambault s featuredebut Familia.However, one of the festivalgoers favourites - A PerfectDay by the Lebanese directors JoanaHadjithomas and Khalil Joreige - received the FIPRESCI Prize and FICC s DonQuijote Prize, and two German filmmakers - Yilmaz Arslan and FlorianHoffmeister - picked up Silver Leopards for Fratricide and 3 Degrees Colder, respectively.Bourlem Guerdjou s Zaina,Cavaliere De L Atlas was chosen bythe audience of the nightly Piazza Grande open-air Lbed Oscars 2017: Lead and supporting actress, who s in the running
Source: TaketwoFrancoise Nyssen, Alice Bah Kuhnke, Anna SernerThe next steps for gender equality in film will have to include challenging traditional power structures and investing more in female voices, the experts said at the Take Two: Next moves for MeToo seminar organized by the Swedish Film Institute in Cannes on Sunday.Addressing the money part of the equation, Anna Serner, CEO of the Swedish Film Institute, made the threat that if the SFIs market funding, for its most commercial projects, doesnt go to any female directors/producers in 2019, then in 2020 all that money will be allocated for women only.Eva R枚se, Swedish actor and member of tystnadtagning, said, If we want to take the next step, we need to focus on th <a href=https://www.stanleycups.us>stanley cup</a> e structures not the individuals. Good intentions are not enough. If we dont dont stand up and speak up against inequality we are part of the problem. We have to talk about power and money. She added that there has to be zero tolerance for gender-based oppression. That includes even the worlds biggest names in film. Even a creative genius will have to work in an environment thats safe for others. You dont have to be an asshol <a href=https://www.stanleymug.us>stanley mug</a> e to make great art, she said to cheers from the standing-room only audience at the Salon des Ambassadeurs.Alice Bah Kuhnke, Swedens minister for culture and democracy, added, Its so important that leaders all over the society need to understand that this is a question about leadership in so many <a href=https://www.cups-stanley.co.uk>stanley cup</a> ways. We have all read the manifesto

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The future of Germany s film funds has come under further threat with news <a href=https://www.cup-stanley.uk>stanley cup</a> of proposed tighter regulations by the Federal Ministry of Finance German business daily the Handelsblatt reported that the Ministry of Finance BMF intends to consider investors in film funds merely as acquirers of film rights rather than as producers. This would mean investors would only have a 2% annual write-off over 50 years rather than an immediate 100% tax deductible write-off - thereby depriving media funds of their attraction for private individuals with a high tax burden. If we are going to talk about a write-off period, 3-10 years would be more realistic for fiction , Ernst Young s Dr Karl Hamberger declared, Th <a href=https://www.stanleywebsite.us>stanley cup</a> e US tax authority, for example, reduced theirs from 20 years to 10 years .Hamberger also pointed out that there was speculation about a revision of the Media Decree, but it seems likely that blind pool funds where the investment is not tied to any particular project will have a better chance of survival than leasing-style funds where film titles have been specified and the fund receives guaranteed license payments. As Hans-Joachim Beck, a leading judge at Berlin s Financial Court, declared: Only the person who bears the full risk should also have tax advantages .TopicsFinanceProduction No comments Related articles <a href=https://www.stanley-cup.com.de>stanley cup</a> Nuyw Miami International Film Festival sets 2007 dates
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