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One of the surprises about the line-up of projects in the 24th CineMar <a href=https://www.stanleycup.cz>stanley cup</a> t January 28-February is the number of high-profile directors - Stephan Elliott and Kim Ki-duk, for example - scattered among the more traditional CineMart arthouse fare. Therefore budgets overall look higher, capped by Elliott s Bla <a href=https://www.stanleycups.com.mx>stanley cup</a> ck Oasis at $7m EUR5.5m , although CineMart co-heads Bianca Taal and Marit van den Elshout insist the level will never rise above their $7.8m EUR6m cap. With 800-850 industry attendees expected, CineMart is still a really good place to get some pre-sales and find a sales agent , says van den Elshout of the bigger name attendees, while we try to remember what Rotterdam stands for as a festival and support the more difficult projects . 30 Something Rom Director: Radu MunteanProduction company: Multi Media EstBudget: EUR760,000Financing in place: EUR90,000Alone Huacho Chile-Fr-Ger Director: Alejandro AlmendrasProduction companies: FernandezFilm, Charivari Film, Pandora Film Produktion, Jirafa FilmsBudget: EUR571,729Financing in place: EUR344,000Barefoot On Slugs Les Pieds Nus Sur Les Limaces Fr Dir: Fa <a href=https://www.stanley-mug.us>stanley cup</a> bienne BerthaudProduction company: Agat Films CieBudget: EUR2.9mBlack Oasis US Director: Stephan ElliottProduction company: Hit Run ProductionsSales: Fortissimo FilmsBudget: EUR5.5mFinancing in place: EUR2.585mThe Boy S Kor Director: Kim Jong-kwanProduction company: MK PicturesBudget: EUR1.834mFinancing in place: 75%Breath S Kor Director: Kim Ki-dukProd c Cqsy OTX expands film tracking service in Russia and China
Danish box office takings for 2005 were $125m 103,230,809 Euros , a drop of 1.85% on 2004 s record year. This slight declinebucks the trend for the box office across Europe which saw all territories substantiallydown such as Germany with an 18.1% drop and Spain down by 12.7%. Local films did extremely well accounting forbetween 32-33% of box-office admissions, the official figure is yet to bereleased. The market share for 2005 is substantially higher than the 24% whichlocal films accounted for in 2004. The top three Danish films for the year werefamily comedy Father Doesn t Give Up with502,338 admiss <a href=https://www.stanleycup.it>stanley italy</a> ions, romantic comedy Nynne with 400,393 and Per Fly s last film in hisclass-trilogy Manslaughter on 392,760. In fourth and fifth place were the AndersThomas Jensen projects, Adam s Apples on355,000 and The Sun King with 346,000admissions. The top three international films saw Harry Potter And TheGoblet of Fire at the top of the league with 682,372 admissions followed bythe final episode of Star Wars443,260 and Madagascar coming in third place with 410,000. Top local distributor was NordiskFilm with around 24 <a href=https://www.cups-stanley.co.uk>stanley cup</a> % of the box office and the top foreign distributor was UIPwith a minimum 25% sh <a href=https://www.cups-stanley.uk>stanley cup</a> are due to blockbusters such as War of the Worlds, King Kong and Madagascar. No comments No comments yet You re not signed in. Only registered users or subscribers can comment on