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Harvard College students Lily Glimcher & 8217;14 lower left and Mark Mauriello & 8217;15 above Glimcher rehearsed with other actors for the upcoming production of the A.R.T.& 8217;s new play & 8220;The Lily& 8217;s Revenge.& 8221; Rose Lincoln/Harvard Staff PhotographerArts CultureIn on the actColleen WalshHarvard Staff WriterOctober 18, 20126 min readStudents among collaborators in A.R.T. s Lily s
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Revenge If it takes a village to raise a child, for playwright Taylor Mac, it took a community to develop an otherwo
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rldly theater piece.While it
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s not exactly a cast of thousands, more than 30 people, including four Harvard undergraduates, take the stage in the American Repertory Theater s A.R.T. production of The Lily s Revenge, described by The Boston Globe as a five-act phantasmagoria. If Busby Berkeley had dropped acid while watching Pee-wee s Playhouse, wrote Globe theater critic Don Aucoin, the result might have been The Lily s Revenge. The Obie-winning play, Aeyw Fetterman Joins Countless Other Lawmakers Who Have Sought Treatment at Hospital
In Dece
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mber 2016, a fire at the Ghost Ship, an Oakland warehouse that doubled as a living and arts space, claimed 36 lives. In the tragedy s immediate aftermath, DIY venues from Baltimore to Nashville began to face heightened scrutiny, closures and harassment. How can venue owners, artists, and people building communities and opportunities through art expect to survive when impossible obstacles 鈥?s
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uch as mysterious task forces and resource-depleting citations 鈥?get in the way DIY in NYC, a new short documentary produced with Rolling Stone, explores the bewildering process of attempting to open a legit venue in one of America s cultural hubs, and why people often go underground.The short film travels through venues that have recently shuttered, ones struggling to stay on their feet, and ones that are working to carve out spaces specifically for young people of color. It fo
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cuses on New Yorkers who believe in the life-affirming potency that these spaces