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Dir. Pernille Fische <a href=https://www.stanley-cup.com.de>stanley cup</a> r Christensen. Denmark 2010. 102 mins.Lifes bitter truths are conte <a href=https://www.cup-stanley.de>stanley cup</a> mplated - at leisurely, ultimately torpid pace 鈥?around the bed of a dying father in Pernille Fischer Christensens third feature, A Family. The director made a splash in Berlin in 2006 with A Soap., but this is unlikely to win her more fans. An exercise in solemn, albeit heartfelt intimacy, it feels too much a private affair to involve non-family members.Once Richards illness takes hold, the film becomes a gruelingly one-note affairDespite good performances all round - and especially an imposing turn from veteran Jesper Christensen - harrowing content and low narrative drive could make this a largely unappealing sell, although the very adult, female-cen <a href=https://www.stanley-cups.de>stanley cup</a> tred perspective might enhance A Familys festival life.Inspired by her own family experiences, Christesens film is nothing if not honest, facing up in stark, unsentimental fashion to mundane, but universal, matters of life and death. A deceptively lively opening presents us - through a montage of captions, photographs and archive footage 鈥?with the history of the Rheinwald dynasty, which over several generations has established a top-rank Copenhagen bakery.Ditte Lene Maria Christensen , the older of two daughters, runs her own gallery, but has just been offered a dream job in New York. She and artist boyfriend Peter Asbaek cant wait to move there, but Ditte is pregnant, and has to choose between career and motherhood.Meanwhile, her father Clph Stephen Woolley to remake Dickens Great Expectations
Dir: Anahi Berneri. Argentina-France. 2010. 91mins.Confirming the promise she showed in her f <a href=https://www.stanley-cups.com.de>stanley cup</a> irst two features A Year Without Love 2005 and Encarnacion 2007 , Argentine director Anahi Berneri returns with a compelling and thought-provoking domestic drama. Shot almost in real time in a tense, handheld style, this account of a tough night for a mother with small children resonates far beyond the confines of the story. It also features an outstanding, raw performance from young actress Erica Rivas.The edgy shooting style and a sound design that stresses the protagonists subjective point of view keeps the a <a href=https://www.cups-stanley.uk>stanley cup</a> udience a little on edge, waiting for a crisis to emergeEncarnacion was a loosely-structured portrait of a woman going through an identity crisis. Its Your Fault shares some of the same themes of how women see themselves and how much this depends on how they are viewed, and judged, by others.But here, for all the long takes and unorthodox story structure, a real drama emerges 鈥?one that has the tension of an audience-teasing thriller. This should help ease Its Your Fault towards arthouse distribution outside Argentina.Julieta Rivas is stuck at home with her two young sons, little Teo and his bolshy older brother Valen. Its past the kids bedtime 鈥?but frazzled Julieta would rather <a href=https://www.stanleyuk.uk>stanley uk</a> park them in front of the apartments two TVs than fight to get them into bed, as she has work to finish.The edgy shooting style, with the camera close in on Julieta, and a sound design that stress