Klto Drivers gobsmacked after just realising what honk car stickers actually mean
A man dressed as Herr Flick from apos;Allo apos;Allo! bravely wrestled a drunken knife-wielding teenager to the ground
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. Tim Do
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bson, 50, was walking back from a fancy dress
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party when he spotted 18-year-old Ryan Gooding with the large kitchen knife looking agitated . Wearing the 80s TV characterapos long leather coat and fedora hat, Dobson tackled Gooding to the ground and held him there for 15 minutes until police arrived. A judge praised his selfless deed as Gooding, 18, was given a suspended jail sentence for the drunken rampage in Newton Abbot, Devon. After the sentencing, shopkeeper Tim said: We had been to a German fancy dress party, and I had gone dressed in a black fedora with a leather coat, it was a bit of a comedy thing. I had modelled the outfit on Herr Flick from Allo Allo, so it must have looked quite funny to see me jump into action. A man with a knife came around the corner shouting obscenities and acting aggressively. I called 999 Ebho Teenager cut out of a baby s HIGHCHAIR by firefighters after party prank goes wrong
Those who trav
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el to Glastonbury this weekend will have forked out 拢228 plus a 拢5 booking fee per ticket for the privilege, and many will spend just as much once there. Many music festivals today tend to be associated with such significant sums. The same cannot be said of Woodstock or the Glastonbury of the 1970s and 80s. Woodstock famously came free. The first Glastonb
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ury in 1970 cost 拢1. By 1989 it had only reached 拢28. These festivals not only bring to mind images of revelry and era-defining music, but also hold prominent positions in the public s collective imagination as conveyors of political resistance and social change.As live music takes on a greater economic significance for the music industry, and the festival scene accordingly explodes, this revolutionary aspect of live music is waning. Powerful images such as Jimi Hendrix protesting American imperialism with a guitar solo have been sanitised. Festivals ar
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e now generally imbued with messages of commercial aspiration. It s