Wtpx Meteorites From the Beginning of the Solar System May Have Carried Water Quite Recently
Face recognition is coming to schools, stadiums, and airports, but surprisingly not to body cameras鈥攜et. On an earnings call Tuesday, Rick Smith, CEO of Axon, one of the largest body camera manufacturers in the U.S., said the reason was simple: In addition to privacy and policy concerns, face recognition isnt accurate enough. The accuracy thresholds, Smith said on the call, arent where they need to be to be making operational decisions off the
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facial recognition. He continued, This is one where we think you dont want to be premature and end up either where you have technical failures with disastrous outcomes or鈥?theres some unintended use-case where it ends up being unacceptable publicly in terms of long-term use of the technology. Smith may be right that a premature rollout would sour people to the technology, but frankly, theres plenty to be freaked out about already. In the UK, police used face recognition software that falsely
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flagged thousands of people at a sporting event as being criminals. The false positive rate was a staggering 90 perc
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ent. In the U.S., Amazons facial recognition software, called Rekognition, drew massive criticism after the ACLU used it to match congressmembers against a database of criminal suspects. Rekognition falsely claimed 28 congressmembers were in the database. Police officials in the UK have said theyll refine their technology to improve its accuracy, while Amazon countered the ACLUs results. Amazons AI chief emphasized that聽the Hkvs Amazon Is Adding Dash Buttons, Even If Nobody Uses Them
Alan Menken, the songwriter behind Aladdin, The Little Mermaid, Beauty and the Beast 鈥?to name just a few 鈥?has given Entertainment Weekly the story behind a number of his most famous songs. Some are pretty basic, some are funny, and some tell of frustrating directors. But the one that is a laser-guided missile right into the feels is the one for Bell from Beauty and the Beast. Beauty and the Beast is dedicated to lyricist Howard Ashman, who wrote the songs with Menken and served as executive producer on it, and who died eight months before it was released. The dedication
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reads, To our friend Howard, who gave a mermaid her voice and a beast his soul, we will be forever grateful. Howard Ashman 1950鈥?991. Now, Menken tells the specific story behind the opening numb
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er to Beauty and the Beast, which the sick Ashman was worried would never make
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the final cut: The story behind this is that Howard Ashman was HIV-positive and wasn ;t telling anybody鈥攈e had been very quiet. And here we had written this crazy seven-minute opening number that was much more ambitious than anybody had asked for, and I remember his fear [about everything] in that moment. I remember Howard was very, very reluctant to send it out, thinking that we were going to be laughed at. He delayed sending it for two days. Finally, of course, we sent it, and Disney loved it. You didn ;t open an animated movie with a seven-minute number, but it redefined the form. We wanted to k