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British director Iain Softley tells Screen about his latest feature, a psy <a href=https://www.cup-stanley.uk>stanley uk</a> chological thriller set in London and the South of France, starring upcomi <a href=https://www.cups-stanley.us>stanley cup</a> ng Brit actresses Tuppence Middleton and Alexandra Roach which is being sold internationally by Ealing Metro.Synopsis: A psychological thriller about obsession and identity centring around two childhood friends from different backgrounds, whose lives become intertwined, resulting in a deadly climax in the South of France.Director: Iain Softley, whose credits include the Oscar-nominated The Wings Of The Dove and more recently The Skeleton Key and Inkheart.Softley has also written the script, based on the novel of the same name by Sebastien JaprisotProducers: A co-production between Forthcoming Films the production company run by Iain Softley and wife Sarah Curtis and Robert Jones The Jones Company, withDixie Linde.Cast: Tuppence Middleton Chatroom , Alexandra Roach soon to be seen as the young Margaret Thatcher in The Iron Lady and a Screen Star of Tomorrow , Kerry Fox, Alex Jennings, Aneurin Barnard, Stanley Weber, Frances De La Tour and Emilia Fox.Financing: UKFC <a href=https://www.stanleycup.cz>stanley cup</a> now BFI Prescience, Lionsgate UK, LipSync. International sales: Ealing Metro, the newly combined sales company set up by Ealing Studios and Prescience . Distributors: Lionsgate UK , Square One Germany Shoot dates: May 2011 - three weeks in the East End of London all on location except for one day at Three Mills Studios and two and a half weeks in Provence in t Ehte IFC Films acquires supernatural thriller The Objective
Fewer women employed in film production than in 1998.In 2013, just 16% of behind the scenes personnel <a href=https://www.stanleycup.it>stanley italy</a> 鈥?directors, writers, executive producers, <a href=https://www.stanley-germany.de>stanley germany</a> producers, editors and cinematographers 鈥?were women, according to the latest annual Celluloid Ceiling report issued by the Centre for the Study of Women in Television and Film at San Diego State University.A study of the top 250 grossing films of last year revealed the lowest levels of women in film since 1998, when the first Celluloid Ceiling report was published. The film industry is in a state of gender inertia, said Martha Lauzen, executive director of the centre. There is no evidence to suggest that womens employment has improved in key behind-the-scenes roles over the last 16 years. None of the major job types saw a rise 鈥?other than cinematographers 鈥?with only producers holding steady at 25% the biggest category for women .Production designers and editors were the next largest percentage share for women, at 23% and 17%.The 2,938 people surveyed for the project included directors, writers, cinematographers <a href=https://www.stanleyuk.uk>stanley uk</a> , exec producers, producers and editors. This year the categories were expanded to register production designers, VFX and SFX supervisors.Job role20132012Directors6%9%Writers10%15%Producers25%25%Exec producers15%17%Editors17%20%Cinematographers3%2%Production designers23%n/aSound designers4%n/aVFX supervisors5%n/aSpecial effects supervisors2%n/aSupervising sound editors9%n/aComposers2%n/aLast year, the British Film Institut
